He Left School At Fifteen And Lost His Hair At Eighteen. Then He Played Two Of The Great Leaders In American Film.

Patrick Stewart died last week at his home in Los Angeles. He was 86.

The statement from his family said he went after a brief and poignant journey with Alzheimer's disease and Lewy body dementia, in the care of his wife Sunny.

Two generations of Americans grew up with this man playing the adult in the room, and it is worth saying why that mattered.

Start with where he came from, because nobody does.

Patrick Hewes Stewart was born in 1940 in Mirfield, a mill town in West Yorkshire. His father was a soldier. The household was violent, and Stewart spoke about it publicly in his later years, including the night he watched his father beat his mother and was told by a neighbor that she must have provoked it.

He left school at fifteen.

He lost his hair at eighteen.

By any reasonable accounting, that is a young man with no obvious path to anything. No education, no money, no looks in a profession that cared enormously about looks, and a childhood he would spend decades working through.

He joined the Royal Shakespeare Company at twenty-six and stayed for a quarter century.

Then, at forty-seven, he took a job nobody wanted.

In 1987 an American studio cast a bald middle-aged English stage actor as the captain of a spaceship in a sequel series to a show that had been canceled twenty years earlier.

The fan reaction was not warm. He was not Shatner. He was not American. He was, by the standards of television leading men in 1987, a strange choice in every direction.

He played Jean-Luc Picard for seven seasons, four feature films, and then again in a Paramount series thirty-three years later.

And he made the character into something television had largely stopped producing: a man of real authority who exercised it carefully.

Picard was not cool. He did not shoot first, he did not quip his way out of problems, and he was frequently the only person in the room arguing for restraint. He read. He quoted things. He was wrong occasionally and said so out loud to subordinates.

That is an enormously unfashionable kind of hero and Stewart made millions of people love it.

Then he did it again.

Charles Xavier in the X-Men films, starting in 2000, across seven more appearances through Logan in 2017.

Same essential proposition. A man with extraordinary power who spends the entire franchise trying not to use it, running a school, arguing with his oldest friend about whether people are worth saving.

NPR's obituary put it better than we can. He was raised by an abusive father and became best known for playing kind, paternal leaders who united families of misfits.

Think about the distance a person has to travel to make that his life's work.

He was also not a saint and never pretended to be.

In his 2023 memoir Making It So, Stewart disclosed an affair with a Star Trek co-star during his first marriage, which ended that marriage and left him estranged from his children for a period.

He wrote it down himself. Nobody made him. At eighty-three years old he published the worst thing he ever did in a book with his name on the cover.

That is its own kind of character, and it is rarer than the acting.

Why this one lands.

A lot of actors die and people post a clip.

This one is different because of what he represented to people who are now in their forties and fifties. He was the authority figure on television who was neither a buffoon nor a tyrant, at a moment when American entertainment was mostly producing one or the other.

For a generation of boys who did not have a particularly good model at home, and there were many, Picard and Xavier were the demonstration that a serious man could be gentle, that intelligence was not weakness, and that the person in charge is supposed to carry the weight rather than enjoy it.

He got there from a mill town in Yorkshire with no schooling past fifteen, playing parts that required him to be the most thoughtful man in every room, having been raised in a house where nobody was.

Make it so.

Hugh Jackman said we lost one of the greats of stage and screen.

True, but incomplete. We lost the guy who made a whole lot of people want to be better at being in charge of things.

Eighty-six years, and he spent most of them working.

Patrick Stewert
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